![\"Spendor](\"http:\/\/wieczorzanalogiem.pl\/wp-content\/uploads\/2024\/06\/IMG_6898-1024x768.jpg\")
Spendor S100: Sound<\/h2>\n\n\n\n
The first thing to pay attention to in the case of Spendor is undoubtedly the amazing diameter. However, this is not a style of playingAudio Note<\/strong>orsnell<\/strong>. It also differs significantly fromtannoy<\/strong>orJM LAB<\/strong>. Probably a bit closer to themharbeth<\/strong>But it’s a bit more sophisticated and lenses a kind of sound. Spendor does it differently. They do not try to play live, over-openness, liveliness. It produces a kind of distance to the recording we listen to. It is more like observing a performance than strictly participating in it … On the other hand, its bass can kick, give the sound a scale and momentum.<\/p>\n\n\n\n Nevertheless, it is always a bit polite – and upstairs and dynamically. The diameter itself does not push us to our knees, but it is incredibly natural, real. so unforced. proper. just.<\/p>\n<\/blockquote>\n\n\n\n The biggest drawback of 'hundreds’ is the bass, which is really difficult to encourage to play faster, contouring. This type is just like that and you have to accept it.<\/p>\n\n\n\n The S100 has an impedance-friendly crossover and you can easily play with them even with a 300B or 2A3 lamp. Regardless of the number of watts pumped into them – the bass is always a bit teddy – although multi-colored. Some speakers seem to play 2-3x faster at the bottom.<\/p>\n\n\n\n
Theoretically, the above brands focus strongly on reflecting the colors and a large amount of information in this band, but each of them does it in a different way. Everyone is interesting and engaging, but different.<\/p>\n\n\n\n\n
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S100 – what will he play with?<\/h2>\n\n\n\n