{"id":6451,"date":"2025-02-24T01:52:42","date_gmt":"2025-02-24T01:52:42","guid":{"rendered":"https:\/\/wieczorzanalogiem.pl\/?p=6451"},"modified":"2025-02-24T01:52:42","modified_gmt":"2025-02-24T01:52:42","slug":"discovery-duntech-esquire-d100-monitors","status":"publish","type":"post","link":"https:\/\/wieczorzanalogiem.pl\/index.php\/en\/2025\/02\/24\/discovery-duntech-esquire-d100-monitors\/","title":{"rendered":"Discovery: Duntech Esquire D100 Monitors"},"content":{"rendered":"\n

Admission<\/h2>\n\n\n\n

Some time ago I was laughing with my friends that in audio you can divide people into those who listen to the equipment with ears and eyes. The former are so sure of what they like and what they are looking for that, regardless of what is in front of them, they can define the value of such a device for themselves.<\/p>\n\n\n\n

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Those who listen to their eyes are by no means those who buy nice or new devices … but simply because of their tag. Because if the tag is known and expensive, the device is usually better. \ud83d\ude42<\/p>\n\n\n\n

duntech<\/h2>\n\n\n
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Duntech in Poland is a little known brand. Maybe not anonymous, but the amount of information about this manufacturer’s products is negligible. Anyway, it is not only a matter of our country, because I have the impression that the topic is very similar in Europe.<\/p>\n\n\n\n

I found out about the brand when I was selling my Tannoy monitors to a mastering studio in France, its owner boasted about the Sovereign model<\/p>\n\n\n\n

He highly recommended checking the Duntech products, so as soon as there was an opportunity, I replaced my Snell E3 with the Esquire D100 model<\/p>\n\n\n\n

Duntech Esquire D100<\/h2>\n\n\n\n

The D100 is a closed housing monitor. I wanted to write 'small’, but in fact they are quite large for monitors. They are based on very good Morella pickups.<\/p>\n\n\n\n

The front is glued with a material that absorbs reflections, and the entire structure is stretched by a grille, which is fixed from the top.<\/p>\n\n\n\n

Duntechs with a pulled 'stocking’ resemble miniatures of American Vandersteens or von Schweickers.<\/p>\n\n\n\n

Sound<\/h2>\n\n\n\n

The first thing that attracts the attention of the listener is undoubtedly the size of the sound. The stage is really big, the sound is very casual, open, but firmly embedded in the midrange.<\/p>\n\n\n\n

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You get the impression that they are playing really large, high floor tiles, not monitors.<\/p>\n<\/blockquote>\n\n\n\n

The mountain is tasty. Absolutely not tiring, but satin, delicate, resounding. The tweeter generates a very nice space while maintaining openness and color. It may not be the most naturally playing dome under the sun, but this kind of lying can definitely be liked.<\/p>\n\n\n\n

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The diameter seduces. Very tangible, fantastically set. The lower diameter gives the whole such a serious, clearly suspended character. Men’s vocals – especially the lower ones, they are juicy, full, mature, but they also have air and details. Women’s vocals are not as lit as from Tannoy or most British loudspeakers, but it does not feel any discomfort because of it.<\/p>\n\n\n\n

The bass is cut quite high. Duntechs do not try to pretend that they can go down to hell, but that’s probably good, because you can get used to this presentation quickly and appreciate the energy that comes from below. The timbre, the bass speed is really good.<\/p>\n\n\n\n

juxtapositions<\/h2>\n\n\n\n
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